When last we met I was sharing the photos that I had submitted to the Orkney Camera Club. There was the entry for the Monthly Competition theme of Pattern/Texture. I had some success in the Colour Digital section, gaining a Third place on my first time out. I was well pleased.
The feedback overall was good, though I learned that it is not always easy to take, especially when one's own favourites are criticised by the judge. It took some backbone to swallow it down and acknowledge that not everybody thinks my babies are beautiful.
Tastes differ. I took from the feedback what I needed and put the rest down to taste! I believe it is important, if committed to an image, not to be swayed by differing opinions. It is okay to hang on to that mother love. There is no right in this, only opinion. Where feedback is most important is with those images that leave a small voice in the gut whispering that something is not quite harmonious here. That voice knows and the judge's feedback can help us to grow - not to mention identifying just what it was that was bothering us about that particular image...
That third place gave me sufficient confidence to try again in the second Monthly Competition, with the theme of "Myself", I entered another six images.
What do you know, I was placed third in the colour digital class again.
Perhaps less taken with the judge's comments this time - some of them stung! Overall it was clear that we did not share a mindset.
Being short of time for M3, Playing With Scale, I scratched around a bit to fill in the set at the last moment.
I had planned to do a colour trio based on the song from The Sound of Music - the Tonic Sol Fa mnemonic, Do, a Deer, a female deer.... tra, la, la. I held the idea that when we went to Scotland in the Autumn, I might get a shot of a nice Doe, and I also wanted to do Fa (Far) and knew just the stretch of road that I wanted to shoot. Alas, when we arrived at the iconic spot, roadworks stopped play. Deer were nowhere to be seen in the whole trip. I was left with an idea for So (Sew), and one for Te (Tea) and these two shots I set up at home in a makeshift studio. I was very pleased with Te (Tea). I still am.
As it turned out, Te was the only one of the six images not placed! The scratch images did better than the planned ones. Life's funny, isn't it?
Perhaps there is such a thing as trying too hard?
The judge's comments overall were kind and sympathetic and I feel that he was more simpatico with this photographer than the previous two judges.
Tardis Landing: Interesting uncertainty about how big the box is compared to its setting. Atmospheric, fun and interesting to analyse. 1st
So, a Needle Pulling Thread: Nice idea. Well set up and taken. Too much space around it? But maybe that helps the impression that the needle is much bigger and stronger than it actually is. 2nd
Te, a Drink with Jam and Bread: Nicely set up and taken. A nice clean feel to it. Can’t see a link to the theme. Unplaced
Dual Scale: Very simple idea and works well. The inclusion of numbers and the idea of measurement take you towards the idea of scale, added to by the differential focus and extreme perspective. 1st
Pod Plays Double or Drop: Interesting idea and well executed. Idea of scale comes from a small figure doing a job too big for it and becoming overwhelmed by objects that are miniature versions of the real thing. 2nd
1 to 76: Deceptively simple. Model locomotive looks real at first glance then other parts of the image reveal it isn’t. Cropping is a bit puzzling? 3rd
Not surprisingly, I was overwhelmed by this result!
Last week's meeting had the results from two of the club's Battles and Exchanges programme. I still don't understand what the difference is or how these work but I am sure all will become clear in time. (See post passim for what was entered to the OCC for consideration for inclusion in the programme.
I enquired yesterday how things had gone and was kindly sent the results in return. In the Whitton/Orkney event (what/where is Whitton?) OCC had entered four of my images
We lost, but only slightly - 433.5 to 438. The images were scored out of twenty points each and feedback given:
The Falconer. Beautifully captured. Timing spot on. The bird with outstretched wings fills the out of focus background nicely. The stillness of the man and the intensity of his gaze suggesting the eventual attention of the raptor to its prey. 20 points
QWERTY. It just goes to show that anything can make a photograph, if you have the imagination to see it. It does take a particular brain and eye to see the potential of this sort of shot. Abstracts are not easy. Well done. 18.5 points
In the Stream. Quite beautiful. Serene, muted colours go well together. Exposure well held. A nice sense of movement. 18 points
Teasels. Nicely seen or set up. Exposure and lighting is sympathetic to the subject. Soft and atmospheric. The wall on the left is out of focus and rather disturbing to look at. 17 points
I could scarcely have hoped for better than that, could I - scoring 73.5 out of a possible 80 for my club. I'm more than happy with that. Especially happy that the Falconer did so well as that is one that I love and am proud of. I don't often shoot people as I lack confidence in that area but I would love to do more of this "environmental portrait" type of work - people captured doing whatever is is that they are passionate about.
The second lot of results come from the Isleburgh event and this clears up one of my puzzlements - I think "Isleburgh" and "Shetland" events may be one and the same.
It looks as though I had three images entered for the club in this event: Veined, as shown in M1 Pattern/Texture (see up this page), Been through the Mill was also a Black and White entry in M1 and additionally Crovie Woman, not shown elsewhere.
I was not so successful in Shetland, where we lost narrowly again 316 to 323, but still a fair showing, I reckon and I knocked up 49 out of a possible 60 for my club:
Been through the mill but still standing: Standing .. Isaac Newton, Something Will Turn Up. Charles Dickens. Very attractive monochrome macro. Even better if some theme."On Up Standing"?? 17 points
Crovie woman: Crovie E of Banff - physically can't get a road. Somebody else's artwork. Have to look at value add: quality, monochrome, feel texture of wood. More marks if not SEA. 16 points
Veined: Beautiful pattern shot of fern fronds. Bright and colourful. Would be improved if more was in focus - only middle left and bottom in focus. 16 points
Well, I learned something there! SEA - someone else's art. It never occurred to me that taking a beautiful photo of something wonderful would be penalised for that reason - but at least I added some value. Must be sure not to enter such in the future.
This judge echoed the M1 judge. I may have to concede the point now! However, I cropped it for reasons of balance and actually enjoy the graduated focus effect that came with that so am still in love with it and will not be swayed on that point. File it under "Well, I like it".
As for Been Through the Mill... I am not going to argue with the judge on that one. That image was originally named Upstanding. I renamed it for the Texture comp to draw attention to the milled edge texture connection to the theme. Being slightly inept with Lightroom I managed to carry forward that name instead of reverting to the original when I exported the copy for submission. I am officially An Idiot.
I now have until 23rd March to pick my entries for the Annual Competition, then there are further exchange results to come on the 20th April. I've started the Annual selection but it's wearying work and I lose the ability to look critically at my my images after a short while. There is a lot going on here too, and taking up most of my time. I shall do my best not to forget though.
I have been remiss, have I not? Such a state of neglect this place is in. What excuse do I have? None at all. It is certainly not that I have not been taking photographs. I may well have been taking too many. It's just that old thing, Life, getting in the way.
I suddenly realised a couple of days ago that I am months behind on my Changing Seasons project. I will catch up.
The summer was filled with DIY nonsense and when all of that was done, we felt the need to escape in the camper van. My time has been filled with trip planning, van preparation and packing, going away, coming home and unpacking the van, dealing with the photos... and then promptly beginning the cycle again. We have been away for a long weekend to Hoy, then had two ten-day trips to Scotland in rapid succession.
The van is now mothballed for winter so I should have time to get my house in order soon.
I recently joined the Orkney Camera Club as an Islands member. My first monthly competition entries went in before I left on my last trip to Scotland. I had a difficult time in deciding which six to enter so in the end I chose the ones that I most wished to have feedback on. I'm not sure why they call them Monthly competitions as there are just three of them per year!
These are my entries for M1, Texture/Pattern:
Today I tackled the gargantuan task of selecting a dozen images to submit for the club's Battles and Exchanges programme. The deadline is a little way off yet but for once I thought I might give the vague impression of organisation.
Embarrassingly, I seem to have lost the ability to count. 10 to 12 images are called for and I have sent 13 by accident.
It was an interesting exercise. Along the way I learned that photographs that I used to think excellent no longer appeal to me. My eye has become more critical in many ways. It is not all loss however. I read a post recently in which somebody said that you should not ditch "poor" images as developments in editing tools raise new opportunities all the time. Happily, as a seasoned paper crafter, I already heed this advice as many "poor" images can be tortured unmercifully in various editing tools to yield interesting textures or abstract art.
It is certainly true that new tools can rescue old images but it is more important that a re-educated eye may see merit that escaped it previously. Today I fell across a previously disregarded image, ten years old, that I fell completely in love with in the here and now. True, it was Lightroom that showed me the way but there was nothing originally wrong with the image - it just had not leaped out at me back then (or at any other time since). Today I appreciated its subtlety and it took its place in my Battling Baker's Dozen, superseding several images that I would have sworn hand on heart would have been in the cut.
What do you think - would it have passed you by too?
The sixth in a year-long series of posts participating in The Changing Seasons project hosted by Cardinal Guzman. All photos were taken in May 2015. These images also appear in my Wordpress blog, where you can comment directly if you do not wish to use Disqus
May was hectic, leaving little camera time and the weather was distinctly patchy. I didn't get out and about much and almost all of my photos were taken in the immediate vicinity of my home.
I had just two short walks with my camera in addition to my weekly Monday Outlook photographs, plus a few lamb shots taken at a neighbours farm.
The weather was occasionally good but mainly poor, remaining wet and cold and windy overall. When the weather was good, it was very good and we were able to go walking at Cata without coats on.
Mainly due to the continuing strong winds, the ground dried sufficiently to plough. Compare this shot with March's
Bright skies and stiff breezes make for good shooting for finished knitted projects!
And continued rain keeps the wetlands topped up.
The grass finally began to grow but not sufficiently and the farmers were unable to turn the cattle out on to the fields as usual. Wild flowers began to appear, the daisies coming first, followed by the dandelions in less abundance than usual (me and my hayfever were very grateful).
Lambs appeared in greater numbers in the fields. The cattle were eventually turned out towards the end of the month but not because the grass was ready. The farmers have run out of winter fodder and had no choice. As the grass is not growing well yet we are in for a short season, meaning that hay and silage will be in short supply for next year. It is a worrying time.
It is always good to see the lambs and the coos appear, they change the landscape completely
However, Beautiful Decay is always with us whatever the season and I can never resist it.
April brought its challenges mainly in the form of a virulent chest bug. I spent much of the month indoors, trying to breathe. The weather was remarkable at times and we had several ultra-still days. Very lovely but at the time I was experimenting with long exposures and water-smoothing, so flat water was not really what I needed.
I managed to get out every Monday for my weekly Outlook shots and a couple of evening walks to the pub furnished some more images, especially the sunny evening when we took time out to stroll along the pier.
The daffodils emerged and the lambs finally arrived!
There was blue sky at times, and everywhere reminders of the past season amongst the signs of the new.
February is still very much Winter time here in Orkney. The wind do blow and the rain do rain.
When the sun shines, it can look stunning but you may be sure that there is a cold wind blowing that the camera may not betray.
We lag behind many places but the daffodils, though not yet blooming, are definitely now asserting a presence.
No lambs yet - hopefully I can share some lamb photographs next month. Have a cute cat instead - this one I found sheltering from that icy wind by the bale shed one day when I took my camera for a walk over to the Cross Kirkyard.
We have had good days, rough days, wet days and glorious sunshine but always that wonderful Orkney cloudscape is present
For several of the roughest days, we were away on the big island in our campervan. In fact we were stranded there when our ferry home was cancelled due to high winds and rough seas. I took many photographs but they don't fall into the spirit of the narrow geographical area for this challenge. I shared them here.
Here's my album for this month. Most are taken from around the house, a few come from that walk to Cross. Several photographs have had a trip through my Nik Collection software.
Life has been a little hectic so no time yet to really investigate it. I did take this pot shot from the back door though.
Hand held, too!
That derelict house is over a mile away
I am deeply disappointed that autofocus does not work as my eyes are not always up to judging focus on the back panel. I may need to learn to take a tablet out with me. I have used the Live View connection on my desktop PC and find it useful in the "studio" but have not yet experimented in the field. It's going to be interesting but not until the weather perks up.
I have a tripod lens mount in the post, hope that arrives soon.
January on Sanday was wet and windy with no frost or snow. This is not unusual by any means. The markers of our winter season are wind, rain, migrant geese, short days and long dark nights. The cattle are mainly absent from the field though some sheep stay on pasture.
The Changing Seasons Challenge got me out and about with my camera and I had more than 350 images to select from. Quite a few of these come from our local Photowalking Group's outing to explore an empty manor house at the top of the island. Another set emerged from a fine day when I chose to walk to my weekly Spinning Group meeting rather than take the car. I was rewarded for my effort. Other images were taken around and about the house; one of them comes from a new project of mine at Blipfoto to capture the bay on Monday mornings when I put my rubbish out for collection. The project will be ongoing and should provide at least some of each month's photos for this challenge.